+--------------------------------------+------------------------+ | ???? ?? ?? ????? ?????? ????? | HEavENly | |?????? ?? ?? ?????? ?????? ?????? | caNDy | |?? ?? ?? ?? ?? ?? ?? ?? ?? | ARthUR LEe | | ?? ?? ?? ?? ?? ?? ?? ?? | guM | | ?? ?? ?? ?????? ????? ?????? | KIckINg GIanT | | ?? ?? ?? ????? ?? ????? | guM | |?? ?? ?? ?? ?? ?? ?? ?? | NOteCArdS | |?????? ?????? ?? ?????? ?? ?? | paVEmeNT | | ???? ???? ?? ?????? ?? ?? | CAugHT IN FLux | | | saM heNDerSOn | | ???? ?????? ?? ?? ????? ?? ????? | inTErvIEw | |?????? ?????? ?? ?? ?????? ?? ?????? | | |?? ?? ?? ?? ?? ?? ?? ?? ?? ?? | | | ?? ?? ?? ?? ?? ?? ?? ?? ?? | | | ?? ?? ?? ?? ?????? ?? ?? ?? | | | ?? ?? ?? ?? ????? ?? ?? ?? | | |?? ?? ?? ?? ?? ?? ?? ?? ?? | | |?????? ?? ?????? ?? ?? ?????? | | | ???? ?? ???? ?? ?? ????? +------------------------+ | | | ???? ?? ???? ?? ?? ????? ???? ???? ?? ?? +-----+ |?????? ?? ?????? ??? ??? ?????? ?????? ?????? ?? ?? | O 1 | |?? ?? ?? ?? ?? ??????? ?? ?? ?? ?? ?? ?? ?? ?? | C 9 | | ?? ?? ?? ?? ?? ? ?? ?? ?? ?? ?? ?? ?? ?? ?? | T 9 | | ?? ?? ?????? ?? ? ?? ????? ?? ?? ?? ?? ???? | . 4 | | ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? | | |?? ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? ?? | | |?????? ?????? ?? ?? ?? ?? ?????? ?????? ?????? ?? ?? | | | ???? ?????? ?? ?? ?? ?? ????? ???? ???? ?? ?? | #7 | +---------------------------------------------------------+-----+ | [ Hey Jack. What's up with this gossamer schmate? ] | +---------------------------------------------------------------+ My name is Mr. Slambook. In September 1992 my car was repossessed and the bill collectors were hounding me like you wouldn't believe. I was laid off and my unemployment checks had run out. The only escape I had from the pressure of failure was my computer, my modem, a bottle of vodka and Oprah. I longed to turn my advocation into my vocation. This January 1994 my family and I went on a weekend sojourn to Coney Island. I bought a Yugo for CASH in February 1994. I am currently building a tree house on the West Coast of Queens, with an above ground pool, a dog house, and a beautiful view of the driveway from my breakfast room table and patio. I will never have to work again. Today I am rich! I have earned over $400.00 (F-O-R-E H-U-N-D-R-E-D D-O-L-L-E- R-S) to date and will become stinking rich within 4 or 5 decades. Anyone can do the same. This money making program works perfectly every time, 100 percent of the time. I have NEVER failed to earn $5 or more whenever I wanted. Best of all you never have to leave home except to go to your mailbox or the post office or the corner store to play lotto. But that's all I'm going to tell you about the secret of my success. Because if I told you any more, I'd compromise the stability of my Rockefeller-like existence. I own a mansion and a yacht, _____ __ /\___ \ /\ \ \/__/\ \ __ ___\ \ \/'\ _\ \ \ /'__`\ /'___\ \ , < /\ \_\ \/\ \L\.\_/\ \__/\ \ \\`\ \ \____/\ \__/.\_\ \____\\ \_\ \_\ \/___/ \/__/\/_/\/____/ \/_/\/_/ +---------------------------------------------------------------+ | [ E-MAIL ] [ STANDARD MAIL ] | | jis@panix.com P.O. Box 242 | | Village Station | | New York, NY 10014 | +---------------------------------------------------------------+ TITLE: The Decline and Fall of Heavenly (CD) ARTIST: Heavenly ADDRESS: K (Box 7154, Olympia, WA 98507) PRICE: It goes for $10.00 post paid No more wait! New Heavenly has arrived, and how wonderful it is. Honest. I mean, can this Oxford quintette ever put out a bad album? No. Never. They can't. And this is yet more tangible evidence of this immutable law of pop nature. More loveable tunes filled with peppy keyboards, jangly guitars and some of the happiest singing you'll ever hear. What more would you want, you misanthropic fool? For the senseless who need to know, read on. My fave track is _Skipjack_. It has a great beat thing going; accentuated by a cowbell, natch. _Sperm Meets Egg, So What?_ gets extra brownie points for creative titling. Whoops! Almost forgot, _Sacramento_ which is a groovy instrumental that does a job of splitting the tracks kindasorta in half. Kinda. I mean, you can't properly say that the fifth cut in an eight cut release is the dead center, can you? But who care's about math. This is reality, babe. Dig it. ================================================================= TITLE: New Bottle (CANDY) ARTIST: Orion Well, I got two bottles of this stuff. Yeah bottles. It comes packaged as little liter sized soda bottles. But they're not liter size soda bottles, they just look like them. They're actually about 2.5 inches high. One of them looks like a Fresca bottle. The other one looks like an orange soda bottle. But don't let that fool you. The candy in both tastes the same. Sugary chunks of stuff that are just a tad bigger than Pixie stick powder, and slightly smaller than Nerds. The taste most definitely leans more towards the Pixie stick powder side of the spectrum. But there's one important difference. Unlike Pixie sticks, Nerds and other similar candy treats, this stuff sucks. Despite the candy being virtually hermetically sealed in this little bottle, the candy tastes like it's been sitting and molding in some storage closet somewhere. Who the hell want's to willfully eat stuff that tastes like that? ================================================================= TITLE: The Arthur Lee/Love Experience (PERSON) ARTIST: Glenn Susser, Arthur Lee, a cab and a radio Glenn likes music and likes that groovy group Love, which is yet another victim of another tribute album. Below is one of Glenn's youthful memories of picking up Arthur Lee as a cab fare. Yes, Glenn was a cabbie. Yes, he was a cabbie in New York City. And I don't care what anyone says. You deserve a medal for doing that. [Memory by Glenn Susser] It's ancient history already. I drove in the city over 20 years ago during school breaks. Those were the days when cabbies still spoke English and obeyed a few of the laws. Was easily the most interesting job I had. Everyday it was something else. Didn't pick up too many celebrities, but the most memorable was Arthur Lee of Love. He gets in and is going to a recording studio... I didn't recognize him although I was a big fan. Hendrix is on my portable FM and he asks me to turn it up, which I was more than happy to do. Hendrix was Lee's idol. After the song, he just asks me if I knew who he was. When I told him no, he sez, like it's a big deal (which it really was to me) "I'm Arthur Lee of Love." Well, if you know anything about Love, you'd know that they were almost completely unknown at the time. I was probably the 1 in a 1,000 that knew them. He was such a conceited asshole you wouldn't believe it. ================================================================= TITLE: Kiss Mint: Sampler Pack (CANDY) ARTIST: Glica After bitching and moaning about how horrid the Kiss Mint for Wake up was in a previous issue, a pal clued me into this little thing. A sampler pack of some of the less useful Kiss Mint flavors. Unlike Kiss Mint for Wake Up, which is designed with some sort of tangible, utilitarian angle, in mind this stuff is really flaky. Kiss Ming for Refresh? What the heck is that? Don't the concepts of "refresh" and "wake-up" overlap in some way? Or is this gum for one of those days that I have that "not-so-fresh" feeling? Or Kiss Mint for Elegance?!?! Unless Grace Kelly, Cary Grant, and Audrey Hepburn chew this--which I doubt since they're all dead--I don't think the elegance seal of approval applies to this sugar product. Oh, and get _this_ one. Kiss Mint for... for... for... Etiquette. What the fuck?!?! Do you turn into a Letitia Baldrige or Henry Kissinger after chomping on a stick? Man, these Kiss Mint people have really taken the phrase "truth in advertising" lightly. ================================================================= TITLE: Alien i.D. (CD) ARTIST: Kicking Giant ADDRESS: K (Box 7154, Olympia, WA 98507) PRICE: It goes for $11.00 post paid Last year Kicking Giant gave us all the wonderful _Halo_ CD, which was the first CD release by this previously cassette only duo. This year they give us their first "proper" album--as all the Brits say--and it's pretty damn good. Same minimalist setup of an electric guitar a la Tae Won Yu and a stand-up kit drum setup a la Rachael Carns. But the sound seems to be much fuller for some reason. Better production? I would say that has something to do with it. But not everything to do with it, since Tae and Rachel are pretty damn talented sans the bells and whistles of production; see them live to see what I mean. Standout tracks include _This Song_, _She's Real_ and _Lucky_. The one track that I could absolutely, positively do without is the _The Town Idiot_ which is basically a spoken word piece by Sue P. Fox with Kicking Giant providing the backup music. It's disturbing and interesting on the first listen. But after that it gets stale fast, and seems really out of place on this otherwise neat collection of tunes. ================================================================= TITLE: Booing: Ginger Ale (CANDY) ARTIST: Kanebo Unless the soda candy that you consume is cola flavored, it's bound to suck. This is the best evidence yet. The package smells like flat ginger ale _before_ you even open it. The gum tastes like some bastard concoction of maple syrup and ginger candy. And mind you Faithful Reader (tm), I actually like the way pure ginger candy tastes. This stuff just wreaks of bad over-sugary, syrupy gunk. Bleagh! The gum itself comes in pretty big portions. And the flavor last a real, real, real long time. Which would be a good thing if its tasted okay. But it doesn't taste like anything you want to savor. So this is _not_ a positive factor. No sir. ================================================================= TITLE: Popeye/Felix The Cat Notecards (MISC) ARTIST: Graphique de France and the original artists ADDRESS: Graphique De France (46 Waltham Street, Boston, MA 02118) PRICE: They go for $1.50 each, but you can buy a whole box of 12 for $22, I think. Let's face it. Most greeting cards really suck. The sappy, syrupy shit that passes for prepackaged sentiments really makes me wretch sometimes. What to do? Go get some blank cards. Frankly, buy only blank notecards. Write your own damn greetings. Its much more personal and infinitely better as a result. And a good place to get some of the best notecards that I've seen come from this place, Grahique de France. Slightly pretentious name aside, the cards that they make are really neat. Heavy stock paper, with really nice, heavy lines and strong, saturated color. What else would you want? It also helps that this company graces their cards with two of the coolest cartoon characters ever made, Popeye the Sailor Man and Felix the Cat. The Popeye line comes with neat portraits of the spinach eating seaman himself, as well as the lovely Olive Oyl, the non- sequiturish Jeep and that baby of babys, Swee' Pea. The Felix the Cat line is my personal fave, with scenes of Felix lounging, dancing, painting, sleeping and laughing his ass off. A damn fine role model that Felix is, if you ask me. Much better than those Mighty Annoying Power Rangers. ================================================================= TITLE: Pavement, Guided by Voices and David Kilgour (LIVE SHOW) ARTIST: See above, buddy... So there I am. In the middle of the Roseland in lovely midtown Manhattan. The Roseland used to be a huge old dancehall; which makes going to shows here really depressing. You know, the whole by-gone era and things like that thing. Cool art-deco stuff, but there's something haunting about it. It seem's hollow in some way. But enough about that. You want to know how the show was, right? Right... David Kilgour stunk. Derivative, wall-paperish bulljunk, just like most of the things that get played on many mainstream "alternative" stations. Guided By Voices was slightly better, although I'll be the first to say that I just really don't like them. They're sound just doesn't click with me; live or on album. But I do have to give them credit for being one of the few bands I can think of who brings a cooler filled with beer out on the stage; and promptly takes it off the stage when they are definitely leaving the stage. Oh yeah. Kim Deal did a guest spot. Supposedly singing, but you couldn't really hear her, so the crowd mainly had the pleasure of seeing Ms. Deal bob her head drunkenly on stage with the rest of the Guided By Voices crew. Pinch me. But enough of this sarcastic shit. Pavement came on, and they were really great. Last time I saw them, it seemed to be a pretty academic, paint-by-numbers set of songs. Not this time. They were loose and on the ball in a big way. Steve was great. So was Mark. Heck, I even like Scott a little more. Fuck that, Scott was the best! Songs included a healthy dose of old stuff like _Debris Slide_, _Summer Babe_, _Two States_, _Trigger Cut_ and _Box Elder_ as well as lots of new stuff like _Silence Kit_, _Range Life_, _Elevate Me Later_ and _Cut Your Hair_. No _From Now On_. No _Forklift_. So I'd have to grade the set an A minus. But nitpicking aside, this was definitely one of the more satisfying shows I've seen in a long time. ================================================================= TITLE: Caught In Flux #3 (ZINE) ARTIST: Mike Appelstein ADDRESS: Caught In Flux (P.O. Box 7088, New York, NY 10116-7088) PRICE: It goes for $2.00 post paid Reading through this special "How I discovered music" issue is really a mind blower. Well, maybe mind blower is the wrong way to describe it. But basically by focusing on this one thing and interviewing--or allowing the subject to write a short essay--Mike has managed to add a different, and more thoughtful, twist on the same old song and dance. We've all probably read interviews with Barbara Manning, but did you know that she accidentally crushed her pet hermit crab while going nuts at a screening of The Who's _The Kids are Alright_ when she was a kid? Or that the ever-so-schmoozy Jessica Willis, who does music reviews and interviews for the New York Press, has secret dreams of being a slutty groupie? Or that Indie-List and Telegraph electronic publishing mogul Sean Murphy really has a thing for Del Shannon's tunes? Well, whatever. If I say anymore, I'll destroy all the fun that contained in this zines pages. But I will tell you that other musical discovery moments are shared by Jenny Toomey (Tsunami), Kristin Thomson (ditto, Tsunami), David Nichols (Cannanes), Stuart Moxham (Young Marble Giants), Anne Rubenstein (Comics Journal), Mark Eitzel (American Music Club), Lois Maffeo (Lois, duh) and Mike Schulman (Slumberland). Buy it, or else I'm gonna have to get medieval on your ass. ================================================================= TITLE: Sam Henderson (PERSON) ARTIST: Sam Henderson ADDRESS: Sam Henderson, The Cartoonist (14 Bayard Street #3, Brooklyn, NY 11211) Sam is one of the most prolific and productive mini-comic people that I know of. His mini, _The Magic Whistle_ is one of the few consistently funny things one can buy for $2.00 nowadays. So send him $2.00 and he'll send you a copy. Ask for #5 and you can read the fake letter his roommate Mike wrote on his behalf to the National Endowment for the Arts. The first sentence of the letter is "If you give me a grant of $6000 I will spend it on whores for my friends and myself." Let's wish him luck and hope he gets the grant! This interview was done in August, 1994. [SLAM] When did you start drawing cartoons? [S.H.] I don't know when I started drawing cartoons. But I've been self-publishing when I was 10. I put out a book. It was actually my elementary school that published it. In junior high, I did comic called _Captain Spaz_, with my pal Bobby Weiss. It was a super hero parody. [SLAM] Are you ever going to reprint that stuff? [S.H.] Well that was then, but I still might reprint it anyway. I did do a reprint the first thing I did when I was 10. [SLAM] How did _The Magic Whistle_ mini-comic start out? [S.H.] Basically, before _The Magic Whistle_ I just did several mini-comics under different names and I eventually wanted to have some kind of identity and also a way people could easily keep track of what I was doing. Before that, there was no way that people could keep track of what I did. [SLAM] I remember also seeing that one mini-comic tribute you did on C3PO? Where did that come from? [S.H.] We only made about 25 copies of that. My roommate Mike Rex and I just did that in one night. [SLAM] That one was neat. I remember reading that and laughing my ass off in big way. [S.H.] We pretty much just gave the copies to Jim Hanely's Universe and a couple of other places. My roommate is a real Star Wars nut, so we just thought up all of gags about C3PO one night. [SLAM] The one with the two kids cursing him out [VISUAL AID: C3PO is quietly walking down the street while two kids yell "Hey, C3PO! Up yours!" and "I saw your mom naked, you dork!"] It's so stupid yet it's so true. That's exactly what would happen to him. And the thing is, that when I watch the Star Wars films now, I'm becoming more aware of what a real dork C3PO really was. He was just the most useless character. [S.H.] The thing that spawned the mini was when Mike Rex did the one strip with C3PO dancing and going "Woo! Woo! Woo!" and this guy points at him and says "Hey! Little Richard is inside C3PO." And so I did the other one, and we just kept on rolling. [SLAM] Why did you decide to call the mini _The Magic Whistle_? [S.H.] I was just making up sitcom plots in my head. I'm always doing stuff with stereotypes and cliches. And I just came up with the idea of this sitcom where the lead character finds a magic whistle. I just thought that was really funny at one point. [SLAM] It reminds me of that Sid and Marty Kroft _H.R. Puffinstuff_. You know. The magic flute that kid had. [S.H.] Yeah. _H.R. Puffinstuff_. H.R. supposedly stood for _H_and _R_olled. There was thing in Film Threat about all the drug references in all of the Sid and Marty Kroft shows a couple of years ago. [SLAM] All of the Kroft stuff is screwed up. Well, not the new stuff. Like the new _Land of the Lost_. The sleestacks suck in the new one. [S.H.] I haven't seen any of that stuff for about 15 or 20 years. [SLAM] Just memories. [S.H.] Yeah and with all this seventies retro stuff, all these things are just coming back to me. [SLAM] Well, back to comics. The _F Hat_ mini, where did that one come from? [S.H.] Actually, I saw someone in the street selling a hat with the word "Fuck" on it. And I was wondering, what type of person would wear this? And if he did, would everybody think he was a great person because he had this hat? [SLAM] Yeah. That was the funny ending in that one. Where everyone who was talking about how great the guy's hat was, turned around and said that they lied and it was all a big joke. They were all making fun of him. Even the guy who sold him the hat. [S.H.] That was kind of a cop-out ending. I couldn't think of a way to end it. [SLAM] Yeah, but that's kind of like what would happen, in a paranoid sort of way. I mean, did you see Adrian Tomine's letter in HATE? The one where he told Peter Bagge that he bought a HATE hat and was walking around San Francisco with it and was getting all kinds of shit from people on the street? [S.H.] That hat's actually a big seller for Fantagraphics, now. Just because of the word "Hate", even people don't buy the comic buy the hat because of that. [SLAM] Yeah. I know tons of people who bought the HATE T-shirt just for that reason. But back to your stuff. What about the visual stuff. Like those wordless strips you have in _Nickelodeon Magazine_? [S.H.] The first one I did for them was originally in _The Magic Whistle_; the one with the guy and the animal taking each others eyes and noses off. I submitted a bunch of my stuff to Nickelodeon, most of it just being from my mini- comics, and many of them inappropriate for them to print. I just wanted to show them what I could do. And that one being one of the only ones that wasn't dirty, I guess that's why they accepted it. Then they asked me to do more stuff with those characters. [SLAM] That was a kick in the head for me. I think I was in Penn Station flipping through _Nickelodeon Magazine_, when I saw your stuff. Then I saw Mark Newgarden's stuff. Then Kaz's stuff. Even David Mazzucchelli had a strip in it, and I was going "What the hell is this?" The comics section in it is great. It's like the RAW for kids. [S.H.] An editor at magazine, Anne Bernstein, has done a few underground comics herself. She went to school with Mark Newgarden and Kaz. And I worked with Newgarden at Topps on few projects, so he hooked me up with Nickelodeon. [SLAM] What did you do at Topps? [S.H.] I did some concept art and writing. Most of the things I did will never see the light of day. But they put out some of the _Wacky Packages_ I wrote. They also have another series called _Gruesome Greetings_. And it was funny, because I did the roughs and the artists--who draw really realistically--just copied directly from my roughs. So in the final product, it looks like my characters but they're three dimensional; done in acrylics, watercolors and everything. [SLAM] Here's a stupid question. Where did you get your style from? [S.H.] Oh, just because I'm lazy. [SLAM] It's doodlish, but it's cool. It reminds me a lot of Sergio Aragones stuff. [S.H.] Yeah, a lot of people compare me to Aragones. Basically, when I started out in art school I was just trying to show how realistically I could draw and everything. And these characters I do, I began to doodle them when I was on the phone. But I realized with the type of humor I do, it's much funnier with my doodle style. Which is quick and spontaneous. [SLAM] The stories are really great also. You've done a few written, non-comic things. Like _The Greatest Teen Movie Ever Made_, that's another thing I was laughing out loud to. [S.H.] There are things I do that are just funny without visuals at all. I've always thought it would be just funny to write them out and let somebody else imagine what they would look like in their head. [SLAM] Well, with _The Greatest Teen Movie Ever Made_, if you put visuals to it, it would just ruin it. If you grew up watching any of those teen flicks you don't need any visuals to laugh at it. [S.H.] Yeah. A lot of people think I watch teen movies all the time. Some people call me when there's something on. [SLAM] Like any of the _Porky's_ films? [S.H.] Basically. It's not as much that I like these films and like to watch them, I'm just fascinated that they were even made at all. That people spent, more or less, a year of their lives working on these films. [SLAM] Do you ever see one now that you saw when you were a kid and thought was so great. And then you watch it again and you're like "Shit! I actually _liked_ this?" [S.H.] Actually, much entertainment I liked as a kid is like that. I remember I was in eighth grade and when Porky's came out and everybody said "This was _the_ funniest movie." And this one kid I knew who was allowed to see R rated movies, he was like telling everybody about how great it was. It took him about five hours to explain how great a film it was. [SLAM] Was that where the strip where the guy is over-analyzing _Porky's_ in _The Magic Whistle_ #5 came from? [S.H.] Nah, that was more made up. I don't think any eighth grader could come up with that kind of stuff. It's just like my whole philosophy of being into stupid humor and this whole idea of intellectualizing something as stupid as _Porky's_. [SLAM] Well, then what do you think about the current trend in ultra-realism in comics. Like Batman getting his back cracked in half. [S.H.] What? Is that what happened? I dunno. [SLAM] You don't know? Well it's like everything is getting painfully ultra-realistic. Like do you remember when Marvel did that special issue of Spider Man where his uncle molested him? Or the Iron Man where Tony Stark was revealed to be an major alcoholic? [S.H.] Well, I read Marvels for a period, between '80 and '84. So I'm not up on that kind of stuff anymore. [SLAM] Well, okay. +---------------------------------------------------------------+ | This was SUPER STUPID SLAMBOOK #7 (OCTOBER 1994) | | All contents (c) 1994 Jack Szwergold, all rights reserved. | | And after saying all that, I realize that this is an elec- | | tronic zine, which by the nature of it's medium, allows it to | | be duplicated with little or no effort. So this is to let | | you know that distribution is free. You can copy and send it | | to as many people and places as you want. But the content is | | mine, and plagiarism is just not a nice thing. Which is the | | only reason why I stuck a copyright statement on this thing. | | So be nice, and don't claim authorship to things you didn't | | write. Okay? | +---------------------------------------------------------------+ | [ SO, WHERE IS THE DAMN THING? ] | | | | USENET: Each issue of the Slambook is posted to _alt.zines_, | | _alt.etext_, _alt.comics.alternative_ and _alt.music. | | alternative_ as well as various other sundry news- | | groups on the utterly USElessNET. | | GOPHER: gopher.well.sf.ca.us (Thanks to Jerod at Factsheet 5) | | or | | gopher.etext.org: Zines/SuperStupid | | FTP: ftp.etext.org: /pub/Zines/SuperStupid | | E-MAIL: For all you idle types who don't like using the | | USENET or playing around with gophers, you can get an | | e-mail subscription to the Slambook. Drop me a | | dispatch telling me you'd like to subscribe and | | you'll be added to the Slambook's ultra-ineffective | | electronic-mail distribution list. Just say please, | | and the deed will be done. (NOTE: I'm not a LISTSERV, | | and I don't play one on TV. So please don't send me | | any stupid LISTSERV-like messages, okay? Also, if | | you have more than one e-mail account, _please_ | | clearly state which account should receive the | | Slambook. It would also be nice to know how you | | heard about this fine publication. My marketing | | department needs something to do. | +---------------------------------------------------------------+ | [ YOU SURE THAT'S FOR ME, MR. MAILMAN? ] | | | | Be sure to remember, folks, that any and all materials sent | | to the Super Stupid Slambook offices will not be returned un- | | less it is accompanied by a self-addressed stamped envelope. | +---------------------------------------------------------------+ | [ THOSE GOSH DARN MINI COMICS ] | | | | If you haven't experienced the pure joy contained within the | | pages of my mini-comics, send me some e-mail and I'll send | | you all the pertinent info required to acquire such mini- | | comics. The information will be transferred from me to you | | in a flash, kinda. But not all of the time because sometimes | | I'm lazy. So be patient. | +---------------------------------------------------------------+ | [ E-MAIL ] [ STANDARD MAIL ] | | jis@panix.com P.O. Box 242 | | Village Station | | New York, NY 10014 | +---------------------------------------------------------------+